Native American Antique and Contemporary Art
JOHN MOLLOY Gallery
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  • Current
    • Views on the Road: Georgia and Mott Hupfel
  • Native American Antiques
    • We’wha & the Two Spirit Tradition, Then and Now
    • Beaded Beauty, Early 19th C Haudenosaunee Beaded Bags
    • 19th Century Plains Indian Pipe Bags
    • FIGURES & DOLLS
    • LAKOTA LEDGER DRAWINGS from the Amidon Ledger Book
    • Plains Beauty: ​ 19th Century American Indian ​Garments and Accessories
    • NATIVE AMERICAN DOLLS
    • NATIVE AMERICAN ANTIQUE TOY CRADLES
    • Moccasins, Walking in Splendor
    • Vintage Native American Jewelry and Gallery Highlights - Holiday Show 2016
    • Plains Beadwork and Quirts, New Selections, Summer 2016
    • Knifecases and Tomahawks
    • GEOMETRIES: Parfleche
    • Plains Indian Art
    • Plains Indian Art (2)
    • Plains and Plateau Beadwork
    • Beaded Bags from Columbia River Plateau
    • Three Northern Beaded Bags
    • Across the Rockies, Native American Antique Beadwork
    • AMERICAN RENAISSANCE, 19th Century Plains Indian Art
    • The Painted Parfleche
    • Katsinam 2013
  • Past Shows
    • THE SHAPE OF THINGS, Carter Hodgkin & Drew Shiflett
    • Bob Seng, Surface Tension
    • MUTABILITY, Carter Hodgkin, Drew Shiflett, and Helen O'Leary
    • REPURPOSED, Gerry Hayes
    • TECHNIC/COLOR
    • BUBBLE THEORY
    • INTERSECTIONS
    • PARALLEL PLAY
    • AT HOME: Kate Teale and David Henderson
    • James Havard >
      • James Havard, PRIMAL
      • James Havard, Paint People
      • James Havard, TALKING IN COLORS
      • James Havard, Unquenchable Fire
    • Caroline Blum and Melinda Hackett_New Paintings
    • Matt Magee TYPOLOGIES
    • Tom Huakaas STOP D.A.P.L.
    • INTERNAL LANDSCAPES Vito Desalvo and David Reisman
    • Excavations & Certainties
    • SUEJIN JO, MIGRATION_PASSAGES
    • Walter Robinson
    • GEOMETRIES >
      • GEOMETRIES: Parfleche
      • Geometric Abstraction
    • Matt Magee - PAINTINGS and TEXTCAVATIONS
    • INSOMNIA: Larissa Nowicki
    • Melinda Hackett, SEA GARDEN
  • Essays
    • Names and Roles of Two Spirit People: An Historical Perspective
    • TOY CRADLES FROM THE PLAINS & PLATEAU - essay
    • AMERICAN RENAISSANCE, 19th Century Plains Indian Art - essay
    • Larissa Nowicki INSOMNIA
    • "Birds for Crazy Horse" Tony Fitzpatrick
    • Unquenchable Fire: James Havard’s Recent Paintings
    • Plains Art Before 1860
    • Warrior Art and Artifacts
    • SOME THOUGHTS ON COLLECTING INDIGENOUS ART
    • Art on Horseback
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Melinda Hackett 

Sea Garden

June 8- July 17, 2015



ARTIST'S STATEMENT 

My paintings refer to organic space and unfixed time. To call them landscapes would be misleading since they are poetic inventions of my imagination, and reference the world of nature rather than depict it literally. One of my purposes in making paintings is to transport the viewer to a necessarily foreign place, where nature can be experienced without knowing it fully, and where reality is communicated through the senses. I am involved in the play of interior and exterior space. On one hand; interior, intimate, house, personal-and on the other; exterior, immense, universe, cosmos. My paintings represent both states, the near, the far, the view through a telescope, the view through a microscope, the sheltering sky, the intimate forest. My paintings create worlds full of images that float, hover, creep, spin, hang, roll or sleep in corners.




Melinda Hackett, Macbean
Melinda Hackett, MACBEAN, oil on canvas, 52 x 36 inches
Melinda Hackett, Maclaughlin
Melinda Hackett, MACLAUGHLIN, oil on canvas, 52 x 36 inches
Melinda Hackett, Maciver
Melinda Hackett, MACIVER, oil on canvas, 52 x 36 inches
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