Beaded Beauty
Early 19th Century
Haudenosaunee Women's Bags
Haudenosaunee beaded bag, first third 19th century; beautiful celestial motifs, 5”x 6.26”
Suejin Jo, "No Stopping Flowing River" - oil and acrylic on canvas, 36" x 48", 2019
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UPCOMING
Santa Fe, NM Summer Shows
Whitehawk Antique Show
August 7-10
Santa Fe Community Convention Center
Antique American Indian Art Show 2020
August 11-14
El Museo Cultural de Santa Fe
FEATURED
Muscogee (Creek) bandelier bag, circa 1825
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The Muscogee (Creek) people who were originally located in what is now the state of Georgia walked The Trail of Tears with the Cherokee to what is now Oklahoma beginning in 1830. This bag pre-dates that journey. It descended in an Oklahoma land run family until recently who had purchased it from the descendants of the original owner generations ago. It is a classic piece of Native American Art, its rarity on a par with its beauty.
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PAST SHOWS
Heads & Masks
Folk, Outsider and Native American Art
In association with
American Primitive Gallery
January 7 - February 7, 2020
Kwakiutl (Kwakwaka'wakw) mask circa 1870's collected by the noted ethnologist Marius Barbeau and sold to Sam Borenstein, a Canadian artist. It was in his family collection until recently.
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Nootka Mask circa 1870 to 1880, a very expressive early West Coast carved and painted cedar mask. Nuu-chat-multi (Nootka) of this age are rare. It exhibits many years of native use.
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19th CENTURY PLAINS INDIAN PIPE BAGS
Images and Essay ->
Plains Indian pipe bags, left to right: Southern Cheyenne, Lakota, and Yankton Lakota
NATIVE AMERICAN ANTIQUES
currently available
Left to right: OSAGE BREECHCLOUT, pair, late 19th century; PRAIRIE POTAWATOMI BANDELIER BAG, late 19th Century; and KUTENAI BAG, circa 1870’s
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PRESS and MEDIA
Art Dealer Diaries, episode 17
New York City Gallery Owner, John Molloy
interviewed by host, Dr. Mark Sublette
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James Havard, untitled, TALKING IN COLORS series, oil on paper in artist's frame, 2016
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Installation view of “Excavations & Certainties: Theresa Hackett and Shari Mendelson” at John Molloy Gallery (photo by Thomas Micchelli
for Hyperallergic)
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